Continued from previous post:
Among the other painters we saw painting along the levee were Billyo O'Donnell, Eric Michaels, Gil Dellinger, Glenna Hartmann, Peter Adams, and Ron Rencher. Clark Mitchell stayed close by in the square. Jason Bouldin painted the palms from a shady locale on a side street. And Bill Hook painted near Weber Point not far from Lucinda Kasser. At noon, the artists gathered in the square to display their works and offer them for sale to the public. That’s when I noticed Mary Whyte’s charming little watercolor that she produced in front of the bus station. “Where’s the bus station?” I asked myself. Okay, so some painters go a bit off the beaten path during these paint-outs, so I’m sure I missed a couple of them.
Many of the paintings created in this nine-to-noon time slot, with their deceptive simplicity, expressed the painter’s keen eye for the interesting shapes of the Stockton scape- many comprising the fewest brush strokes- that provide depth, texture and color. Among the several that didn’t paint, some showed up for the sake of camaraderie. I noticed that among them were Matt Smith, Skip Whitcomb, Clyde Aspevig and Carol Guzman, who came to see what works were created among their peers. Ray Roberts made an appearance before the paint-out and he and wife, Peggi Kroll-Roberts, met up with everyone later at the opening.
That night at the Haggin, the painters at the opening displayed their own outward uniqueness much like the paintings themselves. From rugged to refined, casual to dressy, subtle to bold, they blurred the lines of categorization. While waiting for Peter Adams to finish signing my copy of From Sea to Shining Sea: A Reflection of America, I mused that about the same time people stopped trying to make me dress better, listen to good music and drink something other than domestic beer, I found that I actually liked Vivaldi, fine wine, and wearing satin. This was an occasion that myself, the painters, guests, and collectors could cozy up to, for at the Haggin Museum this fine spring evening, the only thing missing was Vivaldi himself.
Among those that I didn’t mention but participated in this exhibition are: Christopher Blossom, Scott Burdick, Marcia Burtt, William Davis, Donald Demers, M. Stephen Doherty, Gregory Hull, Wilson Hurley, William Scott Jennings, T. Allen Lawson, Denise Lisiecki, Kevin Macpherson, Joseph McGurl, Ned Mueller, Ralph Oberg, Peggy Root, George Strickland, Karen Vernon, and Curt Walters.
